
![]()
[Main Menu ] [Magazine Home ] [New Articles this month ] [Instructors
] [NY Dance News] [Articles]
[Submit an Article]
[Calendar of Dance Events]
Best Viewed In Internet Explorer
SalsaNewYork Reviewed Instructor:
|
|
Compiled by Manny Siverio Thomas Guererro - INSTRUCTOR
REVIEW Thomas teaches his unique brand of mambo dancing at his own studio; The Santo Rico Dance School is located at 2403 2nd Avenue (between 123rd & 124th Streets), 2nd floor, in Manhattan's Harlem. Upon visiting his Saturday class, I could tell that he is a no non-sense, direct, firm, shoot straight-from-the-hip type of guy. He is an instructor who communicates well and speaks his mind. He doesnt beat around the bush and gets straight to the point. His classes are taught in a bi-lingual format (English-Spanish). Counting is done in English while instructions are offered in both English and Spanish. He is assisted by two other instructors who help him divide the class into three different learning levels (beginner, intermediate and advance). Thomas usually begins his class with open floor shines (solo dancing). Each shine is reviewed one at a time. If a student is not familiar with a shine, he will pull the student to one side and break it down to them personally while the rest of the group continues to practice the same step to music. Many of Santo Ricos intermediate shines are complex and long. Thats why Thomas breaks these down into segments (much like some instructors do with complex turn patterns). Hell move onto a new segment only when his group has been able to comprehend the previous one. These shines are tackled by thoroughly breaking them down to the count of the clave first, then performed to a slow tune and finally to a faster song. The number of shines covered in class depend on how quickly students are absorbing material on that day. Thomas usually doesnt like to move on until everyone in his group understands every step covered by him so far. Whenever possible pointers are provided to help enhance a students styling or corrections are made to help avoid accidents when dancing. Concepts are reviewed and drilled into students like Thomass 4 rules of dancing (1.Head up; 2. Shoulders move to music & tempo; 3. Knees bent & 4. Weight on Ball of foot). The four items together result in balance when dancing The second half of the class focuses on partner dancing. Thomas, like his two other Dominican counterparts, is known for his innovative turn patterns. Ive nicknamed him the "Spin-miester" because of the routine he choreographed for Santo Rico during the 1999 Congreso Mundial de la Salsa in Puerto Rico (which was a non-stop performance of complex turn patterns and spins). His partnering style consists of multiple turns, spins & counter-turns for both men and women. Thomas usually leads by counting out loud. He drills the hell out of a turn pattern to make sure that students get it. Each pattern is demonstrated, verbally broken down and then practiced to music. Hell offer valuable partnering tips on styling, balance and footwork with emphasis on safety (i.e. elbow placement so not to hit the girl during a turn pattern). After a pattern has been absorbed, Thomas will ask couples to execute the sequence one at a time. This is when hell catch individual mistakes and make additional corrections. At the end, the group is left to practice to music on their own, while Thomas supervises. Thomas's Style in a nutshell: SalsaNewYork
Magazine’s Best Partnering Class Pick
Contact Info:
Since class fees change from time to time, please click
on the Santo Rico Web Site for up
to date prices. Classes are subject to
change without notice Public Transportation: NYC Transit : NYC Public Transit
Authority Website which supplies you info on train/bus routes, transportation, etc.
Mapquest.com : Map/direction providing website for those using their own
vehicles to get to class location. |
[Main Menu ] [Magazine Home ] [New Articles this month ] [Instructors
] [NY Dance News] [Articles]
[Submit an Article]
[Calendar of Dance Events]
Best Viewed In Internet Explorer